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Using race theory, film studies, colonialist and post-colonialist literature, while studying a cross-section of cinematic Indian depictions in westerns aired over the past seven decades, Raul Chavez has sought to explain how the western film genre have influenced viewers, in particular the Baby-Boomer generation of the 1950s, '60s and '70s to internalize the misrepresented movie depiction of Indians as representative of the real "Indian." These Indian depictions, his "childhood Indians," sustain the subliminally accepted white supremacist imagery that deny Natives their rightful place in American society.
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Subjects
Stereotypes (Social psychology) in motion pictures, Indians in motion pictures, Racism in motion pictures, Stereotypes (Social psychology), Stereotyp, Rassismus, Indigenous peoples in motion pictures, Racism, Racism on television, Indianer, Film, History, Motion pictures, social aspectsPlaces
United States, USAEdition | Availability |
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Childhood Indians: television, film and sustaining the white (sub)conscience
2010, [CreateSpace]
in English
1453698612 9781453698617
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Edition Notes
Includes bibliographical references (pages 226-240).
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- Created May 15, 2019
- 4 revisions
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September 19, 2024 | Edited by ImportBot | import existing book |
May 15, 2024 | Edited by ImportBot | import existing book |
December 3, 2022 | Edited by ImportBot | import existing book |
May 15, 2019 | Created by MARC Bot | Imported from marc_openlibraries_phillipsacademy MARC record |