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"By exploring the musical philosophy of Theodor W. Adorno through a wide range of the composer's music, 'Beethoven and Freedom' arrives at a markedly different vision of freedom. Daniel K L Chua suggests that a more human and fragile concept of freedom can be found in the music that has less to do with the autonomy of the will and its stoical corollary than with questions of human relation, donation, and a yielding to radical alterity. Chua's work makes a major and controversial statement by challenging the current image of Beethoven, and by suggesting an alterior freedom that can speak ethically to the twenty-first century." --dust jacket flap.
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Edition Notes
Includes bibliographical references (pages 249-266) and index.
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- Created May 24, 2019
- 4 revisions
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December 20, 2022 | Edited by MARC Bot | import existing book |
September 19, 2021 | Edited by ImportBot | import existing book |
August 17, 2020 | Edited by ImportBot | import existing book |
May 24, 2019 | Created by MARC Bot | Imported from marc_openlibraries_sanfranciscopubliclibrary MARC record |