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The development of painting in London from the Second World War to the 1970s has never before been told before as a single narrative. R. B. Kitaj's proposal, made in 1976, that there was a 'substantial School of London' was essentially correct but it caused confusion because it implied that there was a movement or stylistic group at work, when in reality no one style could cover the likes of Francis Bacon and also Bridget Riley.
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Subjects
Intellectual life, English Painting, Painting, british, London (england), intellectual life, Painters, History, KunstbetriebPlaces
England, London, London (England)Times
20th centuryShowing 1 featured edition. View all 1 editions?
Edition | Availability |
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1
Modernists & mavericks: Bacon, Freud, Hockney & the London painters
2018, Thames & Hudson
in English
0500239770 9780500239773
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Book Details
Table of Contents
Introduction -- 1.
Young Lucian: art in wartime London -- -- 2.
Pope Francis -- -- 3.
Euston Road in Camberwell -- -- 4.
Spirit in the mass: the Borough Polytechnic -- -- 5.
Girl with roses -- -- 6.
Leaping into the void -- -- 7
Life into art: Bacon and Freud in the 1950s -- -- 8.
Two climbers roped together -- -- 9.
What makes the modern home so different? -- -- 10.
An arena in which to act -- -- 11.
The situation in London, 1960 -- -- 12.
The artist thinks: Hockney and his contemporaries -- -- 13.
The grin without the cat: Bacon and Freud in the 1960s -- -- 14.
American connections -- -- 15.
Mysterious conventionality -- -- 16.
Portrait surrounded by artistic devices -- -- 17.
Shimmering and dissolving -- -- 18.
The non-existence of action ---- Epilogue.
Edition Notes
Includes bibliographical references (pages 340-345) and index.
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- Created May 24, 2019
- 4 revisions
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March 7, 2023 | Edited by MARC Bot | import existing book |
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May 24, 2019 | Created by MARC Bot | Imported from marc_openlibraries_sanfranciscopubliclibrary MARC record |