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It's the mid-1980s. Julia Scheeres and her adopted brother David are sixteen years old and have just moved to rural Indiana, a landscape of cottonwood trees and trailer parks, and a racism neither of them is prepared for. While Julia is white, her close relationship with David, who is black, makes them both outcasts. At home, a distant mother, more involved with her church's missionaries than with her own children, and a violent father only compound their problems. When high-school hormones, bullying, and a deep-seated restlessness prove too much to bear, they are packed off to a Christian boot camp in the Dominican Republic. Surrounded by natural beauty, the Escuela Caribe is governed by a disciplinary regime that demands its teens repent for their sins, which few of them are aware they've committed. How they made it through with heart and soul intact is told here with candor and humor.--From publisher description.
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Previews available in: English
Subjects
Biography & Autobiography, Nonfiction, Escuela Caribe (Dominican Republic), Christian education, Problem children, Students, Education, Childhood and youth, Biography, Reading Level-Grade 11, Reading Level-Grade 10, Reading Level-Grade 12, Problem children, education, Indiana, biography, Family, Christiona education, American authors, Social life and custom, Caribbean area, biography, cult, religion, memoir, Dominican republic, social conditions, Education, caribbean area, collectionID:AlpineChallenge, collectionID:ConroeChallenge, Fundamentalism, Racism, Church camps, United states, race relations, collectionID:bannedbooksShowing 5 featured editions. View all 12 editions?
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Jesus Land: A Memoir
November 1, 2006, Counterpoint
Paperback
in English
- New Ed edition
1582433542 9781582433547
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"This edition is published by MJF Books in arrangement with Counterpoint Press."--Title page verso.
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"Sibling bond is at the core of Jesus Land, Scheeres’s gritty, heart-wrenching memoir...A lesser writer would have buckled under the weight of this story...A page turner...Heart-stopping and enraging...There is much praise, these days, for the detached, quietly elegant narrative. But there is little mention of the power a well-tended rage can bring to a good story...Focused, justified and without a trace of self-pity. Shot through with poignancy." —New York Times Book Review
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