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Book Details
Table of Contents
Introduction / Massimo Fusillo
The aesthetics of fictional cinema. The killing vision: David Foster Wallace's Infinite jest / Stefano Ercolino
Hybridizations. Writing the making of: a new literary genre? / Jan Baetens
A film run in installments": memory and cinema in Tom McCarthy's Remainder / Vincenzo Magyitti
Towards other \vorlds, towards other meanings: screenplays on the edge of the plot / Clotilde Bertoni
Paul Auster, Hector Mann and the Book of illusion / Anna Scannavini
Manana en La batalla piensa en mi: cinema, theatre, television and the creative force of the word / Federica Ivaldi
Failed cinema. Quo vadis- Kino?" Kurt Pinthus and the theoretical dehate on the birth of cinema in Germany / Laca Lenobi
The Outer Life of Martin Frost, or never make an imaginary film / Silvia Alberlazzi
On conceiving (and sometimes not succeeding in making) a film / Giulio Iacoli
The politics of fictional cinema. The "quasi-truth": literature and cinema in Starnone and Piccolo / Gianluigi Simonetti
Breakfast at the prater: Christopher Ishenvood, his Vomen and Men / Gian Fiero Piretto
Alpdriicken and the spectrum of power in Gravity's rainbow by Thomas Pynchon / Mirko Lino
Pattern recognition: the "Postdnema" seen by William Gibson / Simone Arcagni.
Edition Notes
Includes bibliographical references and index.
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The Physical Object
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- Created September 21, 2020
- 3 revisions
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December 20, 2022 | Edited by MARC Bot | import existing book |
May 26, 2022 | Edited by ImportBot | import existing book |
September 21, 2020 | Created by MARC Bot | Imported from Library of Congress MARC record |