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An overview of the styles and history of oil painting in the 17th century to the mid 1700s.
While the title would suggest this is merely a work from an artistic view, it covers a variety of topics including how to work with gold and silver gilding, among others.
The book's interior cover page states:
> "wherein is included each particular
> circumstance relating to that art and
> mystery : containing the best and most
> approved rules for preparing, mixing,
> and working of oyl-colours : the whole
> treatise being so full compleat, and
> so exactly fitted to the meanest
> capacity, that all persons
> whatsoever, may be able by these
> directions, to paint in oyl-colours
> all manner of timber-work, such as
> posts, pails, palisadoes, gates,
> doors, or any thing else that requires
> either use, beauty, or preservation
> from the violence or injury of the
> weather : in which is also
> particularly laid down, all the
> several circumstances required in
> painting of sundials, printed
> pictures, shash-windows, &c. in
> oily-colours"
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Previews available in: English
Subjects
Paint, Early works to 1800, Architecture, Industrial Painting, Technique, Painting, Details. Art History, Artists, Graphic arts, Decorative arts, Oil Painting, Techniques - Oil Painting, ART / Techniques / Oil Painting, Contributions in oil paintingPeople
John Smith, Samuel CrouchPlaces
London (England)Times
17th centuryShowing 2 featured editions. View all 2 editions?
Book Details
Edition Notes
First published in 1676 under title The art of painting.
Signatures: A⁶ B-G⁸ H².
Errata, p. [12] of preliminaries.
Wing (2nd ed.) S4100
The Physical Object
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- Created August 23, 2021
- 4 revisions
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November 10, 2022 | Edited by Ibuddy66 | Edited without comment. |
November 10, 2022 | Edited by Ibuddy66 | Edited without comment. |
November 10, 2022 | Edited by Ibuddy66 | added expanded information on the title and descriptions. etc. |
August 23, 2021 | Created by MARC Bot | Imported from Internet Archive item record |