An edition of Walker Evans (1938)

Walker Evans

signs

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Last edited by MARC Bot
July 14, 2024 | History
An edition of Walker Evans (1938)

Walker Evans

signs

  • 8 Want to read
  • 1 Currently reading

Walker Evans: Signs traces one particular theme - signs of all kinds - through the long career of this master photographer. The book brings together images from the era and place most closely associated with Evans, namely, the rural South of the 1930s. But also included are photographs that will be less familiar to many of Evans's admirers, such as his images of New York City street scenes and advertising or the photographs he took in Chicago and Havana.

Andrei Codrescu's essay brings a fresh perspective to this great photographer's passionate investigation of the signs he discovered in the urban North, the rural South, and beyond.

Publish Date
Language
English
Pages
69

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Previews available in: English

Edition Availability
Cover of: Walker Evans
Walker Evans: lyric documentary
2006, Steidl
in English - 1st ed
Cover of: Walker Evans
Walker Evans: the lost work.
2000, Arena Editions
in English - 1st ed.
Cover of: Walker Evans
Walker Evans: signs
1998, J. Paul Getty Museum
in English
Cover of: Walker Evans
Walker Evans: Havana 1933
1989, Pantheon Books, Pantheon
in English - 1st American ed.
Cover of: Walker Evans.
Walker Evans.
1979, Aperture
in English
Cover of: Walker Evans

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Book Details


Edition Notes

Published in
Los Angeles
Other Titles
Signs

Classifications

Dewey Decimal Class
779/.092
Library of Congress
TR654 .E918 1998, TR654.E918 1998

The Physical Object

Pagination
ix, 69 p. :
Number of pages
69

ID Numbers

Open Library
OL345268M
Internet Archive
walkerevanssigns0000evan
ISBN 10
0892363762
LCCN
98004270
OCLC/WorldCat
504215858
Library Thing
630565
Goodreads
114266

Work Description

"In 1933, Walker Evans traveled to Cuba to take photographs for The Crime of Cuba, a book by the American journalist Carleton Beals. Beals's explicit goal was to expose the corruption of Cuban dictator Gerardo Machado and the long, torturous relationship between the United States and Cuba.".

"As novelist and poet Andrei Codrescu points out in the essay that accompanies this selection of photographs from the Getty Museum's collection, Evans's photographs are the work of an artist whose temperament was distinctly at odds with Beals's impassioned rhetoric.

Evans's photographs of Cuba were made by a young, still maturing artist who - as Codrescu argues - was just beginning to combine his early, formalist aesthetic with the social concerns that would figure prominently in his later work."--BOOK JACKET.

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History

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July 14, 2024 Edited by MARC Bot import existing book
December 5, 2022 Edited by ImportBot import existing book
October 29, 2022 Edited by ImportBot import existing book
September 19, 2022 Edited by ImportBot import existing book
April 1, 2008 Created by an anonymous user Imported from Scriblio MARC record