Richard Phillips
Michael Fried
by Richard Phillips, Ronald Jones, and Bernhard Burgi
For Richard Phillips, critique is as much an intrinsic material in the conception and staging of his work as the materials of their making. His conflating of subject and genre continues to provide challenging comment on the condition and reach of contemporary art. - Phillips has embarked on a new phase of work that hinges on the self-awareness of real-life subjects. Phillips' first two films, Lindsay Lohan (2011) and Sasha Grey (2011), are 'motion portaits'. This book is generously illustrated with film stills and the paintings made from the films.
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Previews available in: English
Subjects
Exhibitions, History Of Art / Art & Design Styles, Individual artists, The Arts: General Issues, Portraits, Photorealismus, Photographie, Berühmte Persönlichkeit, Frau, Modern Art, Celebrities in art, Actors in art, Paparazzi, Artists, united states, Human figure in artPeople
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Richard Phillips
2013, Gagosian Gallery, Rizzoli International Publications, Incorporated
in English
0847840670 9780847840670
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Richard Phillips: Michael Fried
2005, Jay Jopling/White Cube, Friedrich Petzel Gallery
in English
095504992X 9780955049927
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Richard Phillips: Kunsthalle Zürich
2000, Schirmer/Mosel
in Multiple languages
3888149738 9783888149733
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Book Details
Edition Notes
Catalog of an exhibition held at White Cube, London, Dec. 9-Jan. 14, 2006, and with the title: Richard Phillips: Law, sex & Christian society, held at Friedrich Petzel Gallery, May 12-June 18, 2005.
Essay by Michael Bracewell.
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- Created September 26, 2022
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| December 4, 2022 | Edited by ImportBot | import existing book |
| September 26, 2022 | Created by ImportBot | Imported from Internet Archive item record |