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"Musicians, music lovers, and music critics have typically considered Beethoven's overtly political music as an aberration - at best, it is merely notorious; at worst, it is denigrated and ignored. In Political Beethoven Nicholas Mathew returns to the musical and social contexts of the composer's political music throughout his career - from the early marches and anti-French war songs of the 1790s to the grand orchestral and choral works for the Congress of Vienna - to argue that this marginalized functional art has much to teach us about the lofty Beethovenian sounds that came to define serious music in the nineteenth century. Beethoven's much-maligned political compositions, Mathew shows, lead us into the intricate political and aesthetic contexts that shaped all of his oeuvre, thus revealing the stylistic, ideological, and psycho-social mechanisms that gave Beethoven's music such a powerful voice - a voice susceptible to repeated political appropriation, even to the present day."--Book Jacket.
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Subjects
Appreciation, Criticism and interpretation, Music, History, Art appreciation, Politik, Political aspects, Musik, Beethoven, ludwig van, 1770-1827, Criticism and interpretationbeethoven, ludwig van , 1770-1827, Appreciationbeethoven, ludwig van , 1770-1827, Music--political aspects--history, Ml410.b42 m33 2013, 780.92Edition | Availability |
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November 19, 2022 | Created by ImportBot | Imported from Better World Books record |