Free composition =
(Der freie Satz) : volume III of New musical theories and fantasies
by Heinrich Schenker
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The first two volumes of Heinrich Schenker's masterwork Neue musikalische Theorien und Phantasien, Harmonielehren (1906), and Kontrapunkt (1910 and 1922), laid the foundations for the harmonic aspect of his theory. The specific voice-leading component was a later development, progressing with brilliance over the last 15 years of his life. It is in Free Composition (Freie Satz, 1935) that the idea of voice-leading receives its most detailed and precise formulation. Pendragon Press is honored to make this distinguished reprint available once again, with a new preface by Carl Schacter.
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Counterpoint, Theory, Music theory, Music, Musical form, Schenkerian analysisShowing 13 featured editions. View all 13 editions?
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Edition Notes
Bibliography of Schenker's works: p. 156-157.
"Published in cooperation with the American Musicological Society."
"The text is based mainly on the second German edition (ed. Oswald Jonas, Vienna, 1956), but the first edition (Vienna, 1935) was also consulted."
Includes indexes.
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- Created April 1, 2008
- 13 revisions
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| December 17, 2024 | Edited by MARC Bot | import existing book |
| January 15, 2023 | Edited by ImportBot | import existing book |
| December 9, 2022 | Edited by MARC Bot | import existing book |
| October 30, 2022 | Edited by ImportBot | import existing book |
| April 1, 2008 | Created by an anonymous user | Imported from Scriblio MARC record |