An edition of Music Criticism 1950-2000 (2019)

Music Criticism 1950-2000

  • 0 Ratings
  • 0 Want to read
  • 0 Currently reading
  • 0 Have read
Music Criticism 1950-2000
Roberto Illiano, Massimiliano ...
Not in Library

My Reading Lists:

Create a new list

Check-In

×Close
Add an optional check-in date. Check-in dates are used to track yearly reading goals.
Today

  • 0 Ratings
  • 0 Want to read
  • 0 Currently reading
  • 0 Have read

Buy this book

Last edited by MARC Bot
December 17, 2022 | History
An edition of Music Criticism 1950-2000 (2019)

Music Criticism 1950-2000

  • 0 Ratings
  • 0 Want to read
  • 0 Currently reading
  • 0 Have read

This book addresses the complex world of music criticism during the second half of the twentieth century, with particular emphasis on the relationship between music criticism and pivotal changes in politics, society, technology, and economics. The focus on music criticism should be understood in a very broad sense, as one of the various forms of communication and expression that contributes both to the formulation of judgments, and to a broader discourse on the constructions of music. In addition, the book deepens the topic of music criticism by addressing some defining aspects of the period, such as the development of music for the cinema, the growth of the music industry, and the new media that characterized the turn of the century.

Publish Date
Publisher
Brepols
Language
English
Pages
420

Buy this book

Edition Availability
Cover of: Music Criticism 1950-2000
Music Criticism 1950-2000
2019, Brepols
in English

Add another edition?

Book Details


Table of Contents

Introduction. Music criticism and musicology: depolarising the debate -- Massimiliano Locanto
Alan Rawsthorne: the neglected Chopin critic -- Ardullah Essa Jamal Khalaf
Brother criticus: Stravinsky 'the serialist' against music criticism -- Massimiliano Locanto
Manuel R. de Llauder y la crítico musical en Barcelona durante los años '60. Un compositor y crítico contemporáneo de Xavier Montsalvatge -- Héctor Gasol Calvo
The twentieth-century recording explosion: challenges and opportunities for criticism -- David Hurwitz
Music Criticism and Ideology: Sing a song of freedom: civil rights and the reception of race and gender in the music of Lambert, Hendricks & Ross -- Lee Ellen Martin
Massimo Mila e l'impegno: interazioni tra critica militante e musicologia dal dopoguerra agli anni Settanta -- Carla Cuomo
Music e discorso ideologico: i testi sulla musica durante la formazione del socialismo in Croazia -- Lada Duraković -- Criticism, power and canon in Uruguay (1950-2000): Between conservatism and avant-garde / -- Marita Fornaro Bordolli
Il contributo della critica cinematografica militante italiana alla defizione del paesaggio sonoro nei film degli anni Cinquanta -- Umberto Fasolato
La musica per film nelle riviste cinematografiche italiane tra gli anni Cinquanta e Sessanta: i casi di Cinema e Filmcritica -- Kristjan Stopar
La musica nel film (1950): la prima monografia italiana sulla musica cinematografica -- Antonio Ferrara
Le pubblicioni di Sergio Miceli quale parte del dibattito storiografico sulla musica per film in Italia -- Roberto Calabretto -- Music criticism and the web: "facebooking" Musicology: apuntes para una (¿nueva?) crítica musical 2.0 / Pedro Ordóñez Eslava -- How are social media reshaping the critical debate around contemporary music? / Giacomo Albert -- Il trattamento della musica nei blog culturali generalisti italiani / Stefano Lombardi Vallauri -- La critica musicale in Italia intorno al 2000 fra I lIke It e cinguettii / Marida Rizzuti -- Case studies: Making it in the Big Apple: Piazzolla's 1980s / Siefwart Reichwalk -- New York experience in the words of The New York Times / Siegwart Reichwald --Amiri Baraka's 'Black Music' as an avant-garde manifesto in jazz / Ryan Bruce -- Opening Pandora's Cage: 'Open Music' and John Cage in Barcelona, 1960-1970 / Helena Martín-Nieva -- Il suono 'inaudito', Il fenomeno musicale nell'opera di Dieter Roth / Lorenzo De Donato -- Object-oriented music criticism: on Louis Andriessen's 'De Staat" / Eric Taxier.

Edition Notes

Selections from the conference, Music Criticism 1950-2000, hosted by the Institut d'Estudis Catalans, Barcelona, October 9-11, 2017.

Printed in Italy

Includes bibliographical references and index.

Contributions in Italian, English, and Spanish.

Published in
Turnhout
Series
Music, criticism & politics -- volume 8, Music, criticism & politics -- v. 8.
Copyright Date
2019

Classifications

Dewey Decimal Class
780.904, 780
Library of Congress
ML197 .M785 2019

The Physical Object

Pagination
xxi, 420 pages
Number of pages
420

ID Numbers

Open Library
OL44230731M
ISBN 10
250358442X
ISBN 13
9782503584423
OCLC/WorldCat
1085209321

Source records

marc_columbia MARC record

Community Reviews (0)

Feedback?
No community reviews have been submitted for this work.

Lists

This work does not appear on any lists.

History

Download catalog record: RDF / JSON / OPDS | Wikipedia citation
December 17, 2022 Created by MARC Bot Imported from marc_columbia MARC record