MARC Record from marc_columbia

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024 $a99981927259
035 $a(OCoLC)on1085209321
040 $aYDX$beng$erda$cYDX$dL2U$dHDC$dOCLCF$dIBV$dRES$dUAB$dYDXIT
020 $a9782503584423$qhardcover
020 $a250358442X$qhardcover
035 $a(OCoLC)1085209321
041 0 $aita$aeng$aspa
050 4 $aML197$b.M785 2019
082 04 $a780.904$223
082 04 $a780
245 00 $aMusic Criticism 1950-2000 /$cedited by Roberto Illiano and Massimiliano Locanto.
264 1 $aTurnhout :$bBrepols,$c2019.
264 4 $c©2019
300 $axxi, 420 pages :$billustrations ;$c27 cm.
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
490 1 $aMusic, criticism & politics ;$vvolume 8
546 $aContributions in Italian, English, and Spanish.
500 $aSelections from the conference, Music Criticism 1950-2000, hosted by the Institut d'Estudis Catalans, Barcelona, October 9-11, 2017.
504 $aIncludes bibliographical references and index.
500 $aPrinted in Italy
505 00 $tIntroduction. Music criticism and musicology: depolarising the debate /$rMassimiliano Locanto --$tAlan Rawsthorne: the neglected Chopin critic /$rArdullah Essa Jamal Khalaf --$tBrother criticus: Stravinsky 'the serialist' against music criticism /$rMassimiliano Locanto --$tManuel R. de Llauder y la crítico musical en Barcelona durante los años '60. Un compositor y crítico contemporáneo de Xavier Montsalvatge /$rHéctor Gasol Calvo --$tThe twentieth-century recording explosion: challenges and opportunities for criticism /$rDavid Hurwitz --$tMusic Criticism and Ideology: Sing a song of freedom: civil rights and the reception of race and gender in the music of Lambert, Hendricks & Ross /$rLee Ellen Martin --$tMassimo Mila e l'impegno: interazioni tra critica militante e musicologia dal dopoguerra agli anni Settanta /$rCarla Cuomo --$tMusic e discorso ideologico: i testi sulla musica durante la formazione del socialismo in Croazia /$rLada Duraković -- Criticism, power and canon in Uruguay (1950-2000): Between conservatism and avant-garde /$rMarita Fornaro Bordolli --$tIl contributo della critica cinematografica militante italiana alla defizione del paesaggio sonoro nei film degli anni Cinquanta /$rUmberto Fasolato --$tLa musica per film nelle riviste cinematografiche italiane tra gli anni Cinquanta e Sessanta: i casi di Cinema e Filmcritica /$rKristjan Stopar --$tLa musica nel film (1950): la prima monografia italiana sulla musica cinematografica /$rAntonio Ferrara --$tLe pubblicioni di Sergio Miceli quale parte del dibattito storiografico sulla musica per film in Italia /$rRoberto Calabretto -- Music criticism and the web: "facebooking" Musicology: apuntes para una (¿nueva?) crítica musical 2.0 / Pedro Ordóñez Eslava -- How are social media reshaping the critical debate around contemporary music? / Giacomo Albert -- Il trattamento della musica nei blog culturali generalisti italiani / Stefano Lombardi Vallauri -- La critica musicale in Italia intorno al 2000 fra I lIke It e cinguettii / Marida Rizzuti -- Case studies: Making it in the Big Apple: Piazzolla's 1980s / Siefwart Reichwalk -- New York experience in the words of The New York Times / Siegwart Reichwald --Amiri Baraka's 'Black Music' as an avant-garde manifesto in jazz / Ryan Bruce -- Opening Pandora's Cage: 'Open Music' and John Cage in Barcelona, 1960-1970 / Helena Martín-Nieva -- Il suono 'inaudito', Il fenomeno musicale nell'opera di Dieter Roth / Lorenzo De Donato -- Object-oriented music criticism: on Louis Andriessen's 'De Staat" / Eric Taxier.
520 8 $aThis book addresses the complex world of music criticism during the second half of the twentieth century, with particular emphasis on the relationship between music criticism and pivotal changes in politics, society, technology, and economics. The focus on music criticism should be understood in a very broad sense, as one of the various forms of communication and expression that contributes both to the formulation of judgments, and to a broader discourse on the constructions of music. In addition, the book deepens the topic of music criticism by addressing some defining aspects of the period, such as the development of music for the cinema, the growth of the music industry, and the new media that characterized the turn of the century.
650 0 $aMusic$y20th century$xHistory and criticism.
650 7 $aMusic.$2fast$0(OCoLC)fst01030269
648 7 $a1900-1999$2fast
655 7 $aCriticism, interpretation, etc.$2fast$0(OCoLC)fst01411635
700 1 $aIlliano, Roberto,$eeditor.
700 1 $aLocanto, Massimiliano,$eeditor.
830 0 $aMusic, criticism & politics ;$vv. 8.
852 00 $bmus$hML197$i.M785 2019g