An edition of El Aleph (1949)

El Aleph

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El Aleph
Jorge Luis Borges, Jorge Luis ...
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  • 4.0 (9 ratings) ·
  • 79 Want to read
  • 7 Currently reading
  • 13 Have read

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Last edited by Lisa
August 16, 2023 | History
An edition of El Aleph (1949)

El Aleph

  • 4.0 (9 ratings) ·
  • 79 Want to read
  • 7 Currently reading
  • 13 Have read

In Borges' story, the Aleph is a point in space that contains all other points. Anyone who gazes into it can see everything in the universe from every angle simultaneously, without distortion, overlapping, or confusion. The story traces the theme of infinity found in several of Borges' other works, such as "The Book of Sand". As in many of Borges' short stories, the protagonist is a fictionalized version of the author. At the beginning of the story, he is mourning the recent death of a woman whom he loved, named Beatriz Viterbo, and resolves to stop by the house of her family to pay his respects. Over time, he comes to know her first cousin, Carlos Argentino Daneri, a mediocre poet with a vastly exaggerated view of his own talent who has made it his lifelong quest to write an epic poem that describes every single location on the planet in excruciatingly fine detail. Later in the story, a business on the same street attempts to tear down Daneri's house in the course of its expansion. Daneri becomes enraged, explaining to the narrator that he must keep the house in order to finish his poem, because the cellar contains an Aleph which he is using to write the poem. Though by now he believes Daneri to be quite insane, the narrator proposes without waiting for an answer to come to the house and see the Aleph for himself. Left alone in the darkness of the cellar, the narrator begins to fear that Daneri is conspiring to kill him, and then he sees the Aleph for himself: "On the back part of the step, toward the right, I saw a small iridescent sphere of almost unbearable brilliance. At first I thought it was revolving; then I realised that this movement was an illusion created by the dizzying world it bounded. The Aleph's diameter was probably little more than an inch, but all space was there, actual and undiminished. Each thing (a mirror's face, let us say) was infinite things, since I distinctly saw it from every angle of the universe. I saw the teeming sea; I saw daybreak and nightfall; I saw the multitudes of America; I saw a silvery cobweb in the center of a black pyramid; I saw a splintered labyrinth (it was London); I saw, close up, unending eyes watching themselves in me as in a mirror; I saw all the mirrors on earth and none of them reflected me; I saw in a backyard of Soler Street the same tiles that thirty years before I'd seen in the entrance of a house in Fray Bentos; I saw bunches of grapes, snow, tobacco, lodes of metal, steam; I saw convex equatorial deserts and each one of their grains of sand..." Though staggered by the experience of seeing the Aleph, the narrator pretends to have seen nothing in order to get revenge on Daneri, whom he dislikes, by giving Daneri a reason to doubt his own sanity. The narrator tells Daneri that he has lived too long amongst the noise and bustle of the city and spent too much time in the dark and enclosed space of his cellar, and assures him that what he truly needs are the wide open spaces and fresh air of the countryside, and these will provide him the true peace of mind that he needs to complete his poem. He then takes his leave of Daneri and exits the house. In a postscript to the story, Borges explains that Daneri's house was ultimately demolished, but that Daneri himself won second place for the Argentine National Prize for Literature. He also states his belief that the Aleph in Daneri's house was not the only one that exists, based on a report he has discovered, written by "Captain Burton" (Richard Francis Burton) when he was British consul in Brazil, describing the Mosque of Amr in Cairo, within which there is said to be a stone pillar that contains the entire universe; although this Aleph cannot be seen, it is said that those who put their ear to the pillar can hear a continuous hum that symbolises all the concurrent noises of the universe heard at any given time. - Wikipedia.

Publish Date
Language
Spanish
Pages
180

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Previews available in: Spanish

Edition Availability
Cover of: El Aleph
El Aleph
2009, Emece Editores
Paperback in Spanish
Cover of: El aleph
El aleph
2001, El Colegio de México
in Spanish
Cover of: El Aleph
El Aleph
2000, Sol 90
Texto impreso in Spanish
Cover of: El Aleph
El Aleph
1997, Édiciones Dos Amigos
in Spanish
Cover of: El Aleph
El Aleph
1972, Alianza
in Spanish
Cover of: El Aleph
El Aleph
1963, Emecé Editores
in Spanish - 4a. ed.

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Book Details


Table of Contents

El inmortal
El muerto
Los teólogos
Historia del guerrero y de la cautiva
Biografía de Tadeo Isidoro Cruz (1829-1874)
Emma Zunz
La casa de Asterión
La otra muerte
Deutsches Réquiem
La busca de Averroes
El Zahir
La escritura del Dios
Abenjacán el Bojarí, muerto en su laberinto
Los dos reyes y los dos laberintos
La espera
El hombre en el umbral
El Aleph
Epílogo.

Edition Notes

Collaborative artist's book, begun in 1984 and published by Samuel César Palui and Ernesto Lowenstein to commemorate the centenary of the author's birth in 1999. Edition of 25 copies, but each copy unique. Text is printed linotype on cream Vélin d'Arches paper with color etchings and aquatints, with overlays and additions of watercolor, graphite, colored pencil, embossing, etc. Issued unbound with the folded sheets laid loose in a printed gray folder and issued in a gray cloth clamshell box; original etching on front of box, spine title printed in black.

"Edición no venal de veinticinco ejemplares todos nominativos. Labor artistica, realización y creación de Gabriela Aberastury. La composición tipográfica, diagramación e impresión estuvo a cargo de Ruben R. Lapolla"--Colophon.

"Los veinticinco ejemplares difieren totalmente cada uno de ellos en la ilustración e impresión. Estuvo al cuidado de esta edicion Samuel César Palui. Los ejecutores de esta obra firman cada uno de los ejemplares"--Colophon.

Published in
Buenos Aires

Classifications

Library of Congress
PQ7797.B635 A7 1997

The Physical Object

Pagination
[180] p.
Number of pages
180

ID Numbers

Open Library
OL47962434M
OCLC/WorldCat
612795304

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History

Download catalog record: RDF / JSON / OPDS | Wikipedia citation
August 16, 2023 Edited by Lisa Merge works
May 27, 2023 Created by MARC Bot Imported from harvard_bibliographic_metadata record