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Ruský formalismus: Metapoetika (1984) Petra Steinera se od předchozí autoritativní knihy na toto téma, Ruský formalismus: Dějiny a doktrína (1955) Victora Erlicha, liší nejen svým podtitulem, ale i detailností pohledu. Zatímco pro Erlicha byl český strukturalismus středoevropskou variantou formalismu, u Steinera jde o dva svou povahou navýsost odlišné fenomény: strukturalismus představuje nové paradigma literární vědy a formalismus interparadigmatické období, jež mu umetalo cestu. Rozrůzněnost tohoto směru Steiner lapil do tří metafor a jedné synekdochy, ukazujících formalistům směr při jejich výpravě za novou, vědecky založenou, poetikou. Dělení formalismu na metaforu stroje (Šklovskij), organismu (Žirmunskij, Propp), systému (Tyňanov) a synekdochu jazyka (Jakubinskij, Tomaševskij, Jakobson) se ostatně přidržela i anglojazyčná verze Wikipedie.
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1
Russian Formalism: A Metapoetics
2016-11-01, Cornell University Press
Paperback
in English
- Revised 1st edition
0801493668 9780801493669
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Russian Formalism: A Metapoetics
2016-11-01, Cornell University Press
ebook (EPUB)
in English
- Revised 1st edition
1501707019 9781501707018
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3
Russian Formalism: A Metapoetics
20 Oct 2014, sdvig press
Paperback
in English
- 2nd edition
2970082926 9782970082927
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Russian Formalism: A Metapoetics
15 Nov 2014, sdvig Press
Hardcover
in English
- 2nd edition
2970082934 9782970082934
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El Formalismo Ruso: Una Metapoética
June 30, 2001, Akal Ediciones
Paperback
in Spanish
- N.º 1 edición
8446010224 9788446010227
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Russian Formalism: A Metapoetics
1984-10-04, Cornell University Press
Hardcover
in English
0801417104 9780801417108
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Russian Formalism: A Metapoetics
1984, Cornell University Press
PDF
in English
- 1st edition
0801417104 9780801417108
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Book Details
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Russian Formalism, one of the twentieth century's most important movements in literary criticism, has received far less attention than most of its rivals. Examining Formalism in light of more recent developments in literary theory, Peter Steiner here offers the most comprehensive critique of Formalism to date. Steiner studies the work of the Formalists in terms of the major tropes that characterized their thought. He first considers those theorists who viewed a literary work as a mechanism, an organism, or a system. He then turns to those who sought to reduce literature to its most basic element―language―and who consequently replaced poetics with linguistics. Throughout, Steiner elucidates the basic principles of the Formalists and explores their contributions to the study of poetics, literary history, the theory of literary genre, and prosody. Russian Formalism is an authoritative introduction to the movement that was a major precursor of contemporary critical thought.
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