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The emblem and the device (or impresa, as it was called in Italy) were the most direct and telling manifestations of a mentality that played a significant role in the generation and reception of discourse and art in Western Europe between the late Middle Ages and the mid-eighteenth century.
Daniel Russell demonstrates how the emblematic forms developed and how they functioned within early modern French culture and society. He also attempts to show how the guiding principles behind the composition of emblems influenced the production of courtly decoration, ceremony, and propaganda, as well as the composition of literary texts as different as Maurice Seeve's Delie, Montaigne's Essais, and Du Bartas's Sepmaine.
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Previews available in: English
Subjects
Emblem books, French, Emblems, French Emblem books, HistoryPlaces
FranceShowing 2 featured editions. View all 2 editions?
Edition | Availability |
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1
Emblematic structures in Renaissance French culture
1995, University of Toronto Press
in English
0802006167 9780802006165
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2
Emblematic structures in Renaissance French culture
1995, University of Toronto Press
in English
0802006167 9780802006165
|
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Book Details
Edition Notes
Includes bibliographical references (p. [293]-315) and indexes.
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The Physical Object
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- Created April 1, 2008
- 5 revisions
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December 28, 2011 | Edited by LC Bot | import new book |
December 28, 2011 | Edited by LC Bot | import new book |
April 11, 2010 | Edited by bgimpertBot | Added goodreads ID. |
December 11, 2009 | Edited by WorkBot | link works |
April 1, 2008 | Created by an anonymous user | Imported from Scriblio MARC record |