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"An examination of Cuban society through the music of the 1920s-30s when it began to embrace Afro-Cuban culture. Traces how the African element of Cuban society became associated with national identity. Among topics examined are carnival bands, son music, cabaret rumba, and blackface theater shows. The highly documented volume is enhanced by the inclusion of relevant legislation concerning music, and a listing of sextets in Havana between 1920-45 by barrio"--Handbook of Latin American Studies, v. 58.
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Previews available in: English
Subjects
Popular music, Music, Blacks, Social conditions, History and criticism, African influences, Cuba, social conditions, Cuba, history, 1895-, Cuba, history, Black people, Popular culture, Musique populaire, Influence africaine, Personnes noires, Musique, Culture populaire, Genres & Styles, International, Pop Vocal, New Age, Afro-cuban jazz, Culturele bewegingen, NoirsPlaces
Havana, Cuba, Havana (Cuba)Times
20th centuryEdition | Availability |
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1
Nationalizing blackness: afrocubanismo and artistic revolution in Havana, 1920-1940
1997, University of Pittsburgh Press
in English
082294040X 9780822940401
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Book Details
Edition Notes
Includes bibliographical references (p. 289-312) and index.
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History
- Created April 1, 2008
- 18 revisions
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July 13, 2024 | Edited by MARC Bot | import existing book |
January 7, 2023 | Edited by MARC Bot | import existing book |
December 7, 2022 | Edited by ImportBot | import existing book |
September 17, 2022 | Edited by ImportBot | import existing book |
April 1, 2008 | Created by an anonymous user | Imported from Scriblio MARC record |