An edition of The Shroud of Christ
(1902)
The shroud of Christ
by Paul Vignon
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Translation of "Le linceul du Christ."
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Previews available in: English
Subjects
Art, Holy ShroudPeople
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Book Details
Table of Contents
CONTENTS
PAGE
Introduction 9
CHAPTER I
General Description and Examination of the Impressions visible on the Holy Shroud — The Appearance and Signification of the Marks 15
CHAPTER II
The Reasons which cause us to attribute the Impressions on the Holy Shroud to the Body of Jesus Christ — The Wound-Marks of Christ — Examination of the Wound- Marks on the Shroud — A Study of the Gospels with regard to the Entombment of Christ 25
CHAPTER III
Documentary History of the Holy Shroud 53
CHAPTER IV
Descriptions of various Copies of the Holy Shroud 61
CHAPTER V
The Face on the Holy Shroud, compared with imaginative Portraits 84
CHAPTER VI
The Impressions are actual Negatives — These Negatives cannot be Paintings — These Negatives cannot have been produced by chemical Transformation — The Shroud has retained the Impression of a human Body — The Process necessary to produce Prints by simple Contact — The Impressions result from some Action without Contact 108
CHAPTER VII
Experimental Researches as to negative Impressions resulting from chemical Action without Contact 154
PLATES
I The Holy Shroud. From the Painting by Giuho Clovio (xvi. Century) Frontispiece
II The Head as seen on the Shroud Between pp. 10, 11
III The Head as seen on the photographic negative Plate Between pp. 10, 11
IV Facsimile of the Shroud. Upper half showing front View of the Figure, lower half showing back View of the Figure 16, 17
V The Holy Shroud. Facsimile of the photographic negative Plate 16, 17
VI Calvary. Fragment of a Fresco at Assisi To face p. 119
VII Impressions taken from a living Head smeared with red Chalk 132
VIII Impressions produced by chemical Action 158
IX Copy of the Holy Shroud (see page 78) 164
ILLUSTRATIONS IN THE TEXT
FIG. PAGE
1. Section through a Drop of Blood which has dried on an Impermeable Substance 29
2. A, Type of Wound caused by Scourging — B, Shape of Instrument capable of causing such Wound — C, Metal Button attached to the Roman. " Fiagrum " 36
3. The Scourging, by Le Maitre de la Passion de Lyversberg, Cologne Museum (xv. Century) 37
4. The Besancon and Turin Shrouds. From an Engraving in Chifflet's Work 65
5. Sketches showing that the Besancon Shroud was copied from that of Lirey (Turin) 69
6. The Besancon Shroud. From an Engraving (xv. Century [?]) 70
7. Copy of the Besancon Shroud. Painted on Linen 71
8. Copy of the Besancon Shroud. In Sepia by Pierre Dargent (xvi. Century) 73
9. The Farnese Neptune (Naples Museum) 86
10. AEschinus (Naples Museum) 86
11. Demosthenes (Vatican Museum) 87
12. Portrait of a Syro-Phoenician Noble (Theodore Graf Collection) 88
13. The Ravenna Christ (vi. Century) 88
ILLUSTRATIONS IN THE TEXT
14. The Martorana Christ, Palermo (xii. Century) 89
15. Christ. The Palatine Chapel, Palermo (xii. Century) 89
16. Christ. Cluny Museum (xii. Century 90
17. Christ. Chartres Cathedral (xii. Century) 90
18. Christ Teaching. Chartres Cathedral (xiii. Century) 91
19. Le beau Dieu. Amiens Cathedral (xiii. Century) 92
20. Christ Teaching. Bourges Cathedral (xiii. Century) 93
21. An Apostle. Cluny Museum (xiv. Century) 94
22. Christ as the Gardener. Notre Dame, Paris (xiv. Century) 95
23. Christ and St. Thomas. Semur en Auxois (xiv. Century) 96
24. Head of Christ carved in Wood at Pontoise (xiv. Century) 96
25. Calvary, by Taddeo Gaddi, at Assisi (xiv. Century) 100
26. Head of Christ. Louvre Museum (xv. Century) 101
27. Christ blessing, by Quentin Matsys. Antwerp Museum (xvi. Century) 102
28. The dead Christ. Fragment from the Antwerp Triptych, by Quentin Matsys (xvi. Century) 103
29. The dead Christ, by Giovanni Bellini, at Venice (xv. Century) 105
30. Christ at the Last Supper. Drawing by Leonardo da Vinci at the Brera Museum, Milan (xv. Century) 106
31. Diagram 141
32. " 142
33. " 143
34. " 144
35. " 145
36. " 146
37. " 148
38. " 151
Edition Notes
"List of recent publications concerning the holy shroud of Turin": leaf at end.
Translation of Le linceul du Christ.
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marc_claremont_school_theology MARC recordLibrary of Congress MARC record
marc_claremont_school_theology MARC record
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Work Description
Over the years many books have appeared about the Shroud of Turin, the possible burial cloth of Christ. This famous cloth contains the burned-in image of a man exhibiting the same wounds Christ is believed to have had as a result of his crucifixion. This was the first book ever written (orig. printed in 1902) to explore the Shroud's photographic breakthrough, showing in great detail the amazing negative image and offering scientific evidence for the potential legitimacy of the Shroud as being a relic from Christ. The mystery is considered unsolved by many people, and a lively debate continues. Therefore, it is time make this amazing book available once again for serious study, offering one the ability to relive the discovery and examine information that might otherwise be lost. Published Book Tree (USA 2002) ISBN:9781885395962 184 pages
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- Created April 1, 2008
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| May 8, 2021 | Edited by ImportBot | import existing book |
| March 3, 2021 | Edited by MARC Bot | import existing book |
| September 10, 2020 | Edited by MARC Bot | import existing book |
| July 27, 2020 | Edited by MARC Bot | import existing book |
| April 1, 2008 | Created by an anonymous user | Imported from Scriblio MARC record |