Venice

Grant Allen's historical guide books to the principal cities of Europe treating concisely and thoroughly of the principal historic and artistic points of interest therein.

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Last edited by MARC Bot
September 10, 2020 | History

Venice

Grant Allen's historical guide books to the principal cities of Europe treating concisely and thoroughly of the principal historic and artistic points of interest therein.

  • 4 Want to read

A Historical Handbook to discover the riches of cultural in-heritage of the city of Venice during the ages from its foundation until the authors work (printing date of this issue is 1902). Very detailed explanations of what is outlined in the introduction (see added excerpt)

Publish Date
Publisher
A. Wessels Company
Language
English
Pages
272

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Previews available in: English

Edition Availability
Cover of: Venice
Venice
1912, H. Holt and Company; [etc., etc.
in English
Cover of: Venice
Venice
1908, E. G. Richards
Cover of: Venice
Venice
1903, L. C. Page & Company
Cover of: Venice
Cover of: Venice
Cover of: Venice
Venice
1902, L. C. Page & Company
Cover of: Venice.
Venice.
1898, Grant Richards
Cover of: Venice
Venice
1898, G. Richards
Microform in English

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Book Details


Edition Notes

p. 271-273 blank, for memoranda.

Published in
New York
Series
Grant Allen's historical guides

Classifications

Library of Congress
DG672 .A39

The Physical Object

Pagination
272 p.
Number of pages
272

ID Numbers

Open Library
OL6944447M
Internet Archive
venicegrantallen00alle
LCCN
04022825
OCLC/WorldCat
24135041

Excerpts

"First will come the inquiry why a town ever gathered together at all at that particular spot - what induced the aggregation of human beings rather there then elsewhere. Next. we shall consider why that town grew to social or political importance and what were the stages by which it assumed its present shape. Thirdly, we shall ask why it gave rise to that higher form of handicraft which we know as Art, and towards what particular arts it especially gravitated. After that, we shall take in detail the various strata of its growth or development, examining the buildings and works of art which they contain in historical order, and, as far as possible, tracing the causes which led to their evolution. In particular, we shall lay stress upon the origin and meaning of each structure as an organic whole, and upon the allusions of symbols which its fabric embodies."
Page 6, added by Ajon.

The author explains in his own words what he is going to do. It is a straight forward approach to deal with a given subject. It tells the reader exactly what to expect. It further explains the difference of this "historical handbook" compared to other guides mentioned on Page 5 of the introduction in that book.

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