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"The Mask of Venice: Masking, Theater, and Identity in the Art of Tiepolo and His Time looks at the mask, both literal and figurative as a way of approaching the rich artistic production of eighteenth-century Venice. Timed to coincide with the three hundredth anniversary of the birth of Giambattista Tiepolo, the central figure in the exhibition, The Mask of Venice explores the visual representation of masking as a metaphor for disguise and freedom in the otherwise rigidly controlled society of the time. Moving from images of masking in Venetian society, to the derivation of the mask from the commedia dell'arte, to the use of the theatrical devices both to hide and reveal character in the visual arts, The Mask of Venice studies the social world as well as the world of artistic imagination. This trajectory through the liberation of the mask ultimately allows us to unmask, at least in part, the often mysterious work of Tiepolo himself."--BOOK JACKET.
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1
The Mask of Venice: Masking, Theater, & Identity in the Art of Tiepolo & His Time
January 1997, Univ of Washington Pr
Paperback
in English
029597611X 9780295976112
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2
The mask of Venice: masking, theater & identity in the art of Tiepolo & his time
1996, University of California, Berkeley Art Museum in association with the University of Washington Press
in English
029597611X 9780295976112
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Book Details
Edition Notes
Includes bibliographical references (p. 116-119).
Issued in connection with the exhibition held Dec. 11, 1996-Mar. 4, 1997 at the Berkeley Art Museum.
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- Created April 1, 2008
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July 30, 2019 | Edited by MARC Bot | associate edition with work OL18347689W |
July 30, 2010 | Edited by IdentifierBot | added LibraryThing ID |
April 13, 2010 | Edited by bgimpertBot | Added goodreads ID. |
May 29, 2009 | Edited by ImportBot | Found a matching marc_cca MARC record |
April 1, 2008 | Created by an anonymous user | Imported from Scriblio MARC record |