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"Whereas previous eras had celebrated beauty as the central aim of art, the modernist avant-garde were deeply suspicious of beauty and its perennial symbols, woman and ornament, preferring instead the thrill and alienation of the sublime. They rejected harmony, empathy, and femininity in a denial still reverberating through art and social relations today.
Exploring this casting of Venus, with all her charms, into exile, Wendy Steiner's analysis explores the twentieth century's troubled relationship with beauty."--BOOK JACKET.
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1
Venus in Exile: The Rejection of Beauty in Twentieth-Century Art
November 15, 2002, University Of Chicago Press
Paperback
in English
0226772403 9780226772400
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2
Venus in Exile: The Rejection of Beauty in Twentieth-century Art
July 31, 2001, Free Press
Hardcover
in English
0684857812 9780684857817
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3
Venus in exile: the rejection of beauty in twentieth-century art
2001, University of Chicago Press
in English
0226772403 9780226772400
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Book Details
First Sentence
"In the twentieth century, the avant-garde declared a clean break with history, but their hostility to the female subject and the beauty she symbolized had deep roots in the past."
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- Created April 29, 2008
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March 17, 2024 | Edited by ImportBot | import existing book |
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