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On of the defining features of Romantic writing, critics have long argued, is its characterization of the self in terms of psychological depth. Many Romantic writers, however, did not conceive of the self in this way, and in Romantic Identities Andrea K. Henderson investigates that part of Romantic writing that challenges the "depth" model, or operates outside its domain.
Henderson explores various forms of Romantic discourse, explains their economic and social contexts, and examines their differing conceptions of identity.
Individual chapters treat the Romantic view of the self in embryo and at birth, the relation of gothic characterization to the ghostliness of exchange value, anti-essentialism in Romantic physiology, the conception of self as genre in writings by Percy and Mary Shelley, and the link between economic circulation and the distrust of psychological interiority in Scott.
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Subjects
English literature, Subjectivity in literature, Self in literature, History and criticism, Romanticism, Identity (Psychology) in literature, Byron, george gordon byron, baron, 1788-1824, Shelley, percy bysshe, 1792-1822, Scott, walter, sir, 1771-1832, English literature, history and criticism, 19th century, Romanticism, great britainPeople
George Gordon Byron Byron Baron (1788-1824), Walter Scott Sir (1771-1832), Percy Bysshe Shelley (1792-1822)Places
Great BritainTimes
19th centuryShowing 2 featured editions. View all 2 editions?
Edition | Availability |
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1
Romantic Identities: Varieties of Subjectivity, 17741830 (Cambridge Studies in Romanticism)
November 2, 2006, Cambridge University Press
Paperback
in English
0521027101 9780521027106
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2
Romantic identities: varieties of subjectivity, 1774-1830
1996, Cambridge University Press
in English
0521481643 9780521481649
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Includes bibliographical references (p. 185-193) and index.
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