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Maxine Hong Kingston's use of Chinese sources is both controversial and intricate. This study, grounded in a crosscultural perspective, systematically analyzes Kingston's employment of Chinese sources and teases out a basis for a coherent, unifying reading of her three major works.
It discusses how Kingston's bicultural heritage enables her to observe life from the vantage of double consciousness, and how this vantage helps her travel freely across cultural boundaries to parody and play with both Chinese and American traditions in order to find a unique voice in her search of identity.
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Previews available in: English
Subjects
Metaphor, Knowledge, Chinese Americans in literature, American literature, Sources, China, Women and literature, Mythology, Chinese, in literature, In literature, Chinese influences, Chinese American families in literature, History, Kingston, maxine hong, 1940-, Family in literature, American literature, foreign influences, Mythology in literaturePeople
Maxine Hong KingstonPlaces
United States, ChinaTimes
20th centuryEdition | Availability |
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The art of parody: Maxine Hong Kingston's use of Chinese sources
1996, P. Lang
in English
0820430439 9780820430430
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Book Details
Edition Notes
Includes bibliographical references (p. [167]-174) and index.
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The Physical Object
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- Created April 1, 2008
- 13 revisions
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August 6, 2024 | Edited by MARC Bot | import existing book |
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April 1, 2008 | Created by an anonymous user | Imported from Scriblio MARC record |