An edition of History of the Movies (1983)

History of the Movies

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Last edited by MARC Bot
December 9, 2023 | History
An edition of History of the Movies (1983)

History of the Movies

First
  • 3 Want to read

This book covers 80 years of film making,the plots,background and the backstage stories of the early days.
The Westerns,B Movies,The Quickies,the comedies,the musicals,the gangster pictures,the war pictures,Science fiction,Horror,detective,and the biggies.
Illustrated with over 400 photos of the great and not so great films,this book will be a proud addition to the collection of every movie enthusiast,film historian or nostalgia fan.

Publish Date
Publisher
Bison Books
Language
English
Pages
256

Buy this book

Previews available in: English

Edition Availability
Cover of: History of the movies
History of the movies
1986, Longmeadow Press
Hardcover in English - [Revised ed.] edition
Cover of: The History of the Movies
The History of the Movies
January 1985, Gallery Books
Hardcover in English
Cover of: History of the Movies
History of the Movies
1983, Bison Books
Hardcover in English - First

Add another edition?

Book Details


First Sentence

"Previews of Coming Attractions: It emerged from Thomas A Edison's Menlo Park, New Jersey, laboratories in the 1890s, this marvel of lights and shadows we call the motion picture. One more entry in the catalogue of scientific and engineering achievements that had changed the world in the 19th century -the electric light, the telegraph, the telephone, the steamship and the steam locomotive - it was the follow-up to Edison's phonograph and, in his words, was to 'do for the eye what the phonograph did for the ear.' What it actually did was far surpass the impact of the phonograph and become, in time, joined by radio and television, the world's great provider of mass entertainment, molder of public opinion and setter of fashions, trends and modes of behavior. Oddly, for a man with an almost unerring instinct for what the public needed and would appreciate, Edison showed little interest in his latest brainchild and was slow to recognize its potential. From the start, its development was left in the hands of his brilliant assistant, William K L Dickson, and once it was in its first working order in 1891, Edison regarded it as little more than a toy and was content to let it remain so. And indeed, it seemed a mere toy, with its pictures photographed on Eastman celluloid film inside a box-like camera called the Kinetograph and then viewed, one person at a time, by peering through the window of another box-like contraption, the Kinetoscope, while turning a hand crank. Looking at it all, Edison shrugged off the advice of his colleagues that the invention be developed to the point where the picturescould be projected on a screen and seenby entire audiences rather than single individuals. Despite the great man's indifference..."

Edition Notes

Published in
Greenwich, CT
Genre
history

Classifications

Library of Congress
PN1993.5.A1 D65, PN1993.5.A1

The Physical Object

Format
Hardcover
Pagination
256
Number of pages
256
Dimensions
9.5"x12"

ID Numbers

Open Library
OL8307755M
ISBN 10
0861241193
ISBN 13
9780861241194
LCCN
gb84015758
OCLC/WorldCat
10222605, 12453304
Library Thing
566232

First Sentence

"Previews of Coming Attractions: It emerged from Thomas A Edison's Menlo Park, New Jersey, laboratories in the 1890s, this marvel of lights and shadows we call the motion picture. One more entry in the catalogue of scientific and engineering achievements that had changed the world in the 19th century -the electric light, the telegraph, the telephone, the steamship and the steam locomotive - it was the follow-up to Edison's phonograph and, in his words, was to 'do for the eye what the phonograph did for the ear.' What it actually did was far surpass the impact of the phonograph and become, in time, joined by radio and television, the world's great provider of mass entertainment, molder of public opinion and setter of fashions, trends and modes of behavior. Oddly, for a man with an almost unerring instinct for what the public needed and would appreciate, Edison showed little interest in his latest brainchild and was slow to recognize its potential. From the start, its development was left in the hands of his brilliant assistant, William K L Dickson, and once it was in its first working order in 1891, Edison regarded it as little more than a toy and was content to let it remain so. And indeed, it seemed a mere toy, with its pictures photographed on Eastman celluloid film inside a box-like camera called the Kinetograph and then viewed, one person at a time, by peering through the window of another box-like contraption, the Kinetoscope, while turning a hand crank. Looking at it all, Edison shrugged off the advice of his colleagues that the invention be developed to the point where the picturescould be projected on a screen and seenby entire audiences rather than single individuals. Despite the great man's indifference..."

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December 9, 2023 Edited by MARC Bot import existing book
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August 10, 2010 Edited by IdentifierBot added LibraryThing ID
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