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Moravia's political fable about an Italian anti-Fascist and the frightened, suicide-seeking German girl he encounters on a boat to Capri--the setting of Moravia's Il disprezzo from 1954--was welcomed as one of his finest novels. Stephen Spender for The New York Review of Books commented: "One of the most brilliant strokes in this novel about relations in the Thirties between Italians and Germans is that Moravia never reveals whether his Italian narrator and hero is serious or not, and doubt about the seriousness lies in his being Italian.... This is the truth of the book: that within the external situation of the Italian Fascist--German Nazi relationship it is impossible to accept as authentic virtually anything people do."
Moravia is not simply painting the portrait of an age but also coming to grips through his art with the great questions of all ages - the erotic, love, death, and the purposes of life. 1934 recapitulates the major themes of his art and at the same time takes us beyond them.
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Book Details
First Sentence
""Is it possible to live in despair and not wish for death?""
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First Sentence
""Is it possible to live in despair and not wish for death?""
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- Created April 30, 2008
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November 6, 2011 | Edited by WorkBot | merge works |
August 10, 2010 | Edited by IdentifierBot | added LibraryThing ID |
April 24, 2010 | Edited by Open Library Bot | Fixed duplicate goodreads IDs. |
April 16, 2010 | Edited by bgimpertBot | Added goodreads ID. |
April 30, 2008 | Created by an anonymous user | Imported from amazon.com record |