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Beethoven cast a looming shadow over the nineteenth century. For composers he was a model both to emulate and to overcome. "You have no idea how it feels," Brahms confided, "when one always hears such a giant marching behind one." Exploring the response of five composers - Berlioz, Mendelssohn, Schumann, Brahms, and Mahler - to what each clearly saw as the challenge of Beethoven's symphonies, Evan Bonds richly enhances our understanding of the evolution of the symphony and Beethoven's legacy.
Bonds lucidly argues that the great symphonists of the nineteenth century cleared creative space for themselves by both confronting and deviating from the practices of their potentially overpowering precursor. His analysis places familiar masterpieces in a new light.
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Edition | Availability |
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1
After Beethoven: The Imperative of Originality in the Symphony
2013, Harvard University Press
in English
0674733371 9780674733374
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2
After Beethoven: The Imperative of Originality in the Symphony
January 1, 1997, Harvard University Press
Hardcover
in English
0674008553 9780674008557
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3
After Beethoven: imperatives of originality in the symphony
1996, Harvard University Press
in English
0674008553 9780674008557
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aaaa
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4
After Beethoven: The Imperative of Originality in the Symphony
1996, Harvard University Press
in English
0674733398 9780674733398
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Book Details
Edition Notes
Includes bibliographical references (p. [203]-207) and index.
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- Created April 1, 2008
- 8 revisions
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July 30, 2010 | Edited by IdentifierBot | added LibraryThing ID |
April 15, 2010 | Edited by bgimpertBot | Added goodreads ID. |
April 14, 2010 | Edited by Open Library Bot | Linked existing covers to the edition. |
December 11, 2009 | Edited by WorkBot | link works |
April 1, 2008 | Created by an anonymous user | Imported from Scriblio MARC record |