An edition of Tonality as drama
(2008)
Tonality as drama
closure and interruption in four twentieth-century American operas
by Edward David Latham
Share
×Close
This edition doesn't have a description yet. Can you add one?
Check nearby libraries
Buy this book
Previews available in: English
Subjects
Opera, Analysis, appreciation, Operas, Music, Joplin, scott, 1868-1917, Weill, kurt, 1900-1950, Gershwin, george, 1898-1937, Copland, aaron, 1900-1990People
Scott Joplin (1868-1917), Aaron Copland (1900-1990), Kurt Weill (1900-1950), George Gershwin (1898-1937)Places
United StatesTimes
20th century| Edition | Availability |
|---|---|
1
Tonality as drama: closure and interruption in four twentieth-century American operas
2008, University of North Texas Press
in English
1574412493 9781574412499
|
aaaa
|
Book Details
Table of Contents
Tonality as drama : an introduction
Dramatic closure : the Stanislavsky system and the attainment of character objectives
Tonal closure : a Schenkerian approach to tonal drama
The completed background line with open-ended coda : Scott Joplin's grand opera Treemonisha (1911)
The multi-movement Anstieg or initial ascent : George Gershwin's folk opera Porgy and Bess (1935)
The multi-movement initial arpeggiation : Kurt Weill's Broadway opera Street scene (1947)
The prolonged permanent interruption : Aaron Copland's operatic tone poem The tender land (1954).
Edition Notes
Includes bibliographical references and index.
Classifications
The Physical Object
ID Numbers
Community Reviews (0)
Feedback?
| February 17, 2023 | Edited by ImportBot | import existing book |
| July 21, 2020 | Edited by MARC Bot | import existing book |
| January 21, 2010 | Edited by WorkBot | add subjects and covers |
| December 11, 2009 | Created by WorkBot | add works page |