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The essence of Modernism - the aesthetic and intellectual movement that virtually reinvented art and literature at the turn of the twentieth century - is the thrust of the latest volume from Daniel R. Schwarz. In Reconfiguring Modernism, Schwarz suggests diverse directions for studying the relationship between modern art and modern literature.
Bringing together thirty years of experience on the subject and drawing upon specific texts and paintings, Schwarz proposes interrelationships between such striking pairs of artists as Gauguin and Joseph Conrad, Manet and Henry James, and Cezanne and T. S. Eliot, as well as a triptych consisting of Picasso, Stevens, and Joyce. He focuses on the high Modernist period from 1890 to 1940 and examines the way in which we "read" paintings as narrative.
Reconfiguring Modernism provocatively discusses the reading of intertextual relationships between modern painters and modern authors, and sheds new light on the influence of African, Asian, and Pacific cultures on European Modernism.
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Previews available in: English
Edition | Availability |
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1
Reconfiguring modernism: explorations in the relationships between modern art and modern literature
1997, St. Martin's Press
in English
0312126557 9780312126551
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2
Reconfiguring modernism: explorations in the relationship between modern art and modern literature
1997, Macmillan
in English
0333662571 9780333662571
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3
Reconfiguring modernism: explorations in the relationship between modern art and modern literature
1997, St. Martin's Press
in English
- 1st ed.
0312126557 9780312126551
|
zzzz
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4
Reconfiguring Modernism: Revolution on Art and Literature
April 1996, Palgrave Macmillan
Hardcover
0333662571 9780333662571
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Book Details
Edition Notes
Includes bibliographical references (p. [223]-229) and index.
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