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Profiles fourteen songwriters responsible for such hits as "Jailhouse Rock," "Uptown," and "You've Lost That Lovin' Feeling'," explaining how their blending of music from different genres affected social consciousness.
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Previews available in: English
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Edition | Availability |
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1
Always Magic in the Air
2009, Penguin USA, Inc.
Electronic resource
in English
1101156058 9781101156056
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2
Always Magic in the Air: The Bomp and Brilliance of the Brill Building Era
September 26, 2006, Penguin (Non-Classics)
in English
0143037773 9780143037774
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3
Always magic in the air: the bomp and brilliance of the Brill Building era
2005, Viking
in English
0670034568 9780670034567
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4
Always magic in the air: the bomp and brilliance of the Brill Building era
2005, Viking
in English
0670034568 9780670034567
|
aaaa
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Book Details
Table of Contents
Edition Notes
Includes bibliographical references (p. [307]-316), discography (p. [317]-320), and index.
The original cool cats -- A Broadway divided -- Lonely avenue -- "My daughter bought it, what are you going to do about it?" -- Partners in chutzpah -- The young lovers -- Putting the bomp in the bomp, bomp, bomp -- In the garden of Aldon -- "It was just Jewish Latin" -- Baby talk -- At work in the Elvis atelier -- The magician and the mensch -- Selling out -- Seesaw -- Double trouble -- Golden girls -- "Somethin' died" -- Swinging London -- From the Monkees to Thomas Mann.
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First Sentence
"In October 1957, New York traded the Brooklyn Dodgers for the Los Angeles-based songwriting team of Jerry Leiber and Mike Stoller."
Work Description
During the late 1950s and early 1960s, after the shock of Elvis Presley and before the Beatles spearheaded the British Invasion, fourteen gifted young songwriters huddled in midtown Manhattan's legendary Brill Building and a warren of offices a bit farther uptown and composed some of the most beguiling and enduring entries in the Great American Songbook. Always Magic in the Air is the first thorough history of these renowned songwriters—tunesmiths who melded black, white, and Latino sounds, integrated audiences before America desegregated its schools, and brought a new social consciousness to pop music.
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Feedback?December 17, 2022 | Edited by ImportBot | import existing book |
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October 7, 2017 | Edited by MARC Bot | merge duplicate works of 'Always magic in the air' |
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