Check nearby libraries
Buy this book
Peter Baldwin explains why the copyright wars have always been driven by a fundamental tension. Should copyright assure authors and rights holders lasting claims, much like conventional property rights, as in Continental Europe? Or should copyright be primarily concerned with giving consumers cheap and easy access to a shared culture, as in Britain and America? --Publisher's description.
Check nearby libraries
Buy this book
Previews available in: English
Edition | Availability |
---|---|
1
Copyright Wars: Three Centuries of Trans-Atlantic Battle
2016, Princeton University Press
in English
0691169098 9780691169095
|
zzzz
|
2
Copyright Wars: Three Centuries of Trans-Atlantic Battle
2014, Princeton University Press
in English
1322028583 9781322028583
|
zzzz
|
3
The copyright wars: three centuries of trans-Atlantic battle
2014
in English
0691161828 9780691161822
|
aaaa
|
4 |
eeee
|
5
The Copyright Wars : Three Centuries of Trans-Atlantic Battle
2014, Princeton University Press
1400851912 9781400851911
|
zzzz
|
Book Details
Table of Contents
Edition Notes
Includes bibliographical references (pages 413-512) and index.
Classifications
The Physical Object
ID Numbers
Source records
marc_openlibraries_sanfranciscopubliclibrary MARC recordBetter World Books record
Library of Congress MARC record
Internet Archive item record
amazon.com record
Work Description
Today's copyright wars can seem unprecedented. Sparked by the digital revolution that has made copyright -- and its violation -- a part of everyday life, fights over intellectual property have pitted creators, Hollywood, and governments against consumers, pirates, Silicon Valley, and open-access advocates. But while the digital generation can be forgiven for thinking the dispute between, for example, the publishing industry and Google is completely new, the copyright wars in fact stretch back three centuries -- and their history is essential to understanding today's battles. Peter Baldwin explains why the copyright wars have always been driven by a fundamental tension. Should copyright assure authors and rights holders lasting claims, much like conventional property rights, as in Continental Europe? Or should copyright be primarily concerned with giving consumers cheap and easy access to a shared culture, as in Britain and America? This book describes how the Continental approach triumphed, dramatically increasing the claims of rights holders. It also tells the widely forgotten story of how America went from being a leading copyright opponent and pirate in the eighteenth and nineteenth centuries to become the world's intellectual property policeman in the late twentieth
Community Reviews (0)
Feedback?March 4, 2023 | Edited by bitnapper | Merge works (MRID: 49216) |
December 18, 2022 | Edited by MARC Bot | import existing book |
August 23, 2020 | Edited by ImportBot | import existing book |
January 25, 2018 | Edited by Mek | Edited without comment. |
January 24, 2018 | Created by JeffKaplan | Added new book. |