An edition of The Image and its Public in the Middle Ages: Form and Function of Early Paintings of the Passion (1990)

The Image and its Public in the Middle Ages

Form and Function of Early Paintings of the Passion

by

  • 0 Ratings
  • 1 Want to read
  • 1 Currently reading
  • 0 Have read
Cover of: The Image and its Public in the Middle Ages by Translated by Mark Bartusis and Raymond Meyer; This translation was prepared with the assistance of the J. Paul Getty Trust
Preview Only
Borrow Listen

My Reading Lists:

Create a new list

Check-In

×Close
Add an optional check-in date. Check-in dates are used to track yearly reading goals.
Today
Notes
  • 0 Ratings
  • 1 Want to read
  • 1 Currently reading
  • 0 Have read
Notes

Check nearby libraries

Buy this book

Last edited by wholesome_soup
February 28, 2024 | History
Edit
An edition of The Image and its Public in the Middle Ages: Form and Function of Early Paintings of the Passion (1990)

The Image and its Public in the Middle Ages

Form and Function of Early Paintings of the Passion

by

  • 0 Ratings
  • 1 Want to read
  • 1 Currently reading
  • 0 Have read

This edition doesn't have a description yet. Can you add one?

Publish Date
Publisher
Aristide d Caratzas Pub
Language
English
Pages
298

Check nearby libraries

Buy this book

Previews available in: English

Subjects
Byzantine Icons, Art, Christian saints in art, Christian art and symbolism, Passion, Pietà, Medieval Panel painting

Showing 1 featured edition. View all 1 editions?

Edition Availability
Cover of: The Image and its Public in the Middle Ages
The Image and its Public in the Middle Ages: Form and Function of Early Paintings of the Passion
1990, Aristide d Caratzas Pub
in English
Libraries near you: WorldCat

Add another edition?

Book Details

Table of Contents

Acknowledgements Page ix
Photo Credits Page xi
Introduction Page 1 I. New Forms of Images in the Middle Ages Page 9 II. The Portrait of the Dead God (Imago Pietatis Page 29 III. Functions of Medieval Images Page 41 IV. Realism and Pictoral Rhetoric Page 65 V. The Icon of the Passion in Byzantium Page 91 VI. The Icon in the West: Its Reception During the Thirteenth Century in Italy Page 131 VII. Summary Page 187
Appendices
A. Pietatis and Imago Pietatis: The Image in Historical Accounts and Inscriptions Page 191 B. Lament and Accusation: The Verse from Jeremiah in the Rhetoric of the Middle Ages Page 197 C. Western Art after 1204: The Importation of Relics and Icon Page 203 Literature Cited in Abbreviated Form Page 223 Notes Page 227 Bibliography Page 267 List of Art Works Especially Mentioned in the Text Page 275 Index Page 285

Edition Notes

Published in
New Rochelle, USA
Copyright Date
1990
Translation Of
Das Bild und sein Publikum im Mittelalter: Form und Funktion früher Bildtafeln der Passion
Translated From
German

Classifications

Library of Congress
N8189.3.J47 B413 1990, N8189.3.J47 B413 1989

Contributors

Book Designer
Dennis Hermanson
Translator
Mark Bartusis
Translator
Raymond Meyer

The Physical Object

Pagination
xii, 298p.
Number of pages
298

ID Numbers

Open Library
OL26455403M
Internet Archive
imageitspublicin0000belt
ISBN 13
9780892414031
LCCN
89007363
OCLC/WorldCat
505695030, 19623960
Wikidata
Q107274742

Source records

Library of Congress MARC record
Internet Archive item record
marc_columbia MARC record
harvard_bibliographic_metadata record

Community Reviews (0)

Feedback?
No community reviews have been submitted for this work.

Lists

This work does not appear on any lists.

History

Download catalog record: RDF / JSON
February 28, 2024 Edited by wholesome_soup Added information :)
December 11, 2023 Edited by MARC Bot import existing book
May 28, 2022 Edited by ImportBot import existing book
November 9, 2020 Edited by MARC Bot import existing book
June 1, 2018 Created by monikanumero Added new book.