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Subjects
Art and society, Values, Social conflict in artPlaces
United StatesEdition | Availability |
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Seeing high and low: representing social conflict in American visual culture
2006, University of California Press
in English
0520241878 9780520241879
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Book Details
Table of Contents
Educating for distinction? Art, hierarchy, and Charles Willson Peale's Staircase group / David Steinberg
Samuel F.B. Morse's Gallery of the Louvre: social tensions in an ideal world / Patricia Johnston
Cartoons in color: David Gilmour Blythe's very uncivil war / Sarah Burns
"Ain't I a woman?": Anne Whitney, Edmonia Lewis, and the iconography of emancipation / Melissa Dabakis
Cultural racism: resistance and accommodation in the Civil War art of Eastman Johnson and Thomas Nast / Patricia Hills
Custer's last stand: high-low on old and new frontiers / Patricia M. Burnham
Reenvisioning "This well-wooded land" / Janice Simon
At home with Mona Lisa: consumers and commercial visual culture, 1880/1920 / Katharine Martinez
Gustav Stickley's designs for the home: an activist aesthetic for the upwardly mobile / Arlette Klaric
Handicraft, Native American art, and modern Indian identity / Elizabeth Hutchinson
Alone on the sidewalks of New York: Alfred Stieglitz's photography, 1892/1913 / Joanne Lukitsh
The colors of modernism: Georgia O'Keeffe, Cheney brothers, and the relationship between art and industry in the 1920s / Regina Lee Blaszczyk
The invisibility of race in modernist representation: Marsden Hartley's North Atlantic folk / Donna M. Cassidy
Caricaturing the Gringo tourist: Diego Rivera's folkloric and touristic Mexico and Miguel Covarrubias's Sunday afternoon in Xochimilco / Jeffrey Belnap
The Norman Rockwell Museum and the representation of social conflict / Alan Wallach.
Edition Notes
Includes bibliographical references and index.
"An Ahmanson Murphy fine arts book."
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