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Subjects
Musical analysis, Music appreciation, Opera, Analyse musicale, Musique, Appréciation, MUSIC, Instruction & Study, TheoryPlaces
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Book Details
Table of Contents
Introduction
Complete bibliography
Part 1: Historiography, history, methodology. The Dahlhaus project and its extra-musicological sources ; Beethoven reception: the symphonic tradition ; Some grounding principles of sonata theory
Part 2: Italian opera. Ottocento opera as cultural drama: generic mixtures in Il Trovatore ; Staging Verdi's operas: the single "correct" performance ; Operatic stagings: positions and paradoxes: a reply to David J. Levin ; Structure, implication and the end of Suor Angelica ; Un bel dì? Vedremo! Anatomy of a delusion
Part 3: Structure and content: Shorter Essays. Formulaic openings in Debussy ; Culture clash ; Masculine/feminine ; Temps perdu
Part 4: Symphonic Readings. Fiery-pulsed libertine or domestic hero? Strauss's Don Juan reinvestigated ; Framing Till Eulenspiegel ; Gaudery, romance and the 'Welsh' tune: Introduction and Allegro, Op. 47.
Edition Notes
Includes bibliographical references (p. [xvii]-xx) and index.
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