An edition of Dismantling the dream factory
(2009)
Dismantling the dream factory
gender, German cinema, and the postwar quest for a new film language
by Hester Baer
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| Edition | Availability |
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1
Dismantling the Dream Factory: Gender, German Cinema, and the Postwar Quest for a New Film Language
2013, Berghahn Books, Incorporated
in English
0857456180 9780857456182
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2
Dismantling the dream factory: gender, German cinema, and the postwar quest for a new film language
2009, Berghahn Books
in English
184545605X 9781845456054
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zzzz
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3
Dismantling the Dream Factory: Gender, German Cinema, and the Postwar Quest for a New Film Language
2009, Berghahn Books, Incorporated
in English
1845459458 9781845459451
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zzzz
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4
Dismantling the dream factory: gender, German cinema, and the postwar quest for a new film language
2009, Berghahn Books
in English
184545605X 9781845456054
|
aaaa
|
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5
Dismantling the Dream Factory: Gender, German Cinema, and the Postwar Quest for a New Film Language
2009, Berghahn Books, Incorporated
in English
128262802X 9781282628021
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zzzz
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Book Details
Table of Contents
Relegitimating cinema: female spectators and the problem of representation
How do you solve a problem like Susanne?: the female gaze in Wolfgang Staudte's The murderers are among us (1946)
When fantasy meets reality: authorship and stardom in Rudolf Jugert's Film without a title (1948)
Gendered visions of the German past: Wolfgang Liebeneiner's Love '47 (1949) as woman's film
Unsolved mysteries: race, ethnicity, and gender in Helmut Kätner's Epilogue (1950)
Art on film: representing gender and sexuality in popular cinema
"Through her eyes": regendering representation in Willi Forst's The sinner (1951)
Looking at Heimat: visual pleasure and cinematic realism in Alfons Stummer's The forester of the silver wood (1955)
Degenerate art?: problems of gender and sexuality in Veit Harlan's Different from you and me (175) (1957)
Towards the new wave: gender and the critique of popular cinema
Pleasurable negotiations: spectatorship and genre in Helmut Kätner's "anti-tearjerker" Engagement in Zurich (1957)
Sound and spectacle in the Wirtschaftswunder: the critical strategies of Rolf Thiele's The girl Rosemarie (1958)
Gender and the new wave: Herbert Vesely's The bread of those early years (1962) as transitional film
Epilogue: adapting the 1950s: the afterlife of postwar cinema in post-unification popular culture.
Edition Notes
"Berghahn on film"--Cover.
Includes bibliographical references and index.
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| October 17, 2022 | Edited by ImportBot | import existing book |
| February 13, 2019 | Created by MARC Bot | import existing book |