An edition of Country soul
(2015)
Country soul
making music and making race in the American South
by Charles L. Hughes
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Drawing on interviews and rarely used archives, Hughes brings to life the daily world of session musicians, producers, and songwriters at the heart of the country and soul scenes in the 1960s and 1970s. In doing so, he shows how the country-soul triangle gave birth to new ways of thinking about music, race, labor, and the South in this pivotal period.
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Country soul: making music and making race in the American South
2015, The University of North Carolina Press
in English
1469622432 9781469622439
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Table of Contents
Introduction. There's a redneck in the soul band
We only had this one thing in common : we liked all types of music : the birth of the country-soul triangle
I got what I got the hard way : the music and mythology of the Memphis sound
Selling soul : black music and black power in Memphis
Take the white music and make it sound black : the Muscle Shoals sound in the 1970s
Pride and prejudice : race and country music in the era of backlash
The South's gonna do it again : the racial politics of the new southern music of the 1970s
Disco and down home blues : country and soul at the end of the 1970s
Coda. On accidental racists : interracial friendship, historical memory, and the country-soul triangle.
Edition Notes
Includes bibliographical references (pages 235-247) and index.
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| December 23, 2021 | Edited by ImportBot | import existing book |
| August 4, 2020 | Edited by ImportBot | import existing book |
| July 18, 2019 | Created by MARC Bot | import new book |