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"Aaron, a clinical psychologist, psychotherapist, and stage director, has written a definitive study of stage fright among actors. His analysis of the rehearsal process, with its displacement relationship between the actor and the director and the separation of selves that the actor seeks, along with the ambivalence toward the audience that is natural for the actorall of which contribute to the acute anxiety attack that is stage frightis detailed, convincing, and revealing. His understanding of the psychological elements that routinely produce stress in actors is profound and practical. He cites cases of documented stage fright and ties them to his own clinical, rehearsal, and performance experience. Though occasionally filled with technical jargon, this study will be of great value to actors and directors and of special interest to those fascinated by theater."--Amazon.com editorial review.
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Showing 3 featured editions. View all 3 editions?
Edition | Availability |
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1
Stage fright: its role in acting
1986, University of Chicago Press
in English
0226000184 9780226000183
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2
Stage Fright: Its Role in Acting
1986, University of Chicago Press
in English
0226000192 9780226000190
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3
Stage fright: its role in acting
1986, University of Chicago Press
in English
2256000184 9782256000188
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Book Details
Edition Notes
Includes bibliographical references (p. 143-148) and index.
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