An edition of Closely watched films (2004)

Closely watched films

an introduction to the art of narrative film technique

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Last edited by ImportBot
August 19, 2020 | History
An edition of Closely watched films (2004)

Closely watched films

an introduction to the art of narrative film technique

  • 1 Want to read

This edition doesn't have a description yet. Can you add one?

Publish Date
Language
English
Pages
267

Buy this book

Previews available in: English

Edition Availability
Cover of: Closely Watched Films
Closely Watched Films: An Introduction to the Art of Narrative Film Technique
2014, University of California Press
in English
Cover of: Closely Watched Films
Closely Watched Films
2014, University of California Press
in English
Cover of: Closely Watched Films
Closely Watched Films: An Introduction to the Art of Narrative Film Technique
2014, University of California Press
in English
Cover of: Closely watched films
Closely watched films: an introduction to the art of narrative film technique
2004, University of California Press
in English
Cover of: Closely Watched Films
Closely Watched Films: an Introduction to the Art of Narrative Film Technique
2004, University of California Press
in English
Cover of: Closely Watched Films
Closely Watched Films: An Introduction to the Art of Narrative Film Technique
2004, University of California Press
in English
Cover of: Closely watched films
Closely watched films: an introduction to the art of narrative film technique
2004, University of California Press
in English

Add another edition?

Book Details


Table of Contents

The beginnings of film narrative: D.W. Griffith's The birth of a nation
The art of montage: Sergei Eisenstein's The battleship Potemkin
Expressionism and realism in film form: F.W. Murnau's The last laugh and Charles Chaplin's The adventurer
The conversion to sound and the classical Hollywood film: Howard Hawks's His girl Friday
Expressive realism: Orson Welles's Citizen Kane
Italian neorealism: Vittorio de Sica's The bicycle thief
Auteur theory and the French new wave: François Truffaut's The 400 blows
Hollywood auteur: Alfred Hitchcock's Notorious
The European art film: Federico Fellini's 8 1/2
Film and postmodernism: Woody Allen's Annie Hall
Political cinema: Spike Lee's Do the right thing
Feminism and film form: Patricia Rozema's I've heard the mermaids singing
Epilogue: digital video and new forms of narrative in Mike Figgis's Timecode.

Edition Notes

Includes bibliographical references (p. 267-272) and index.

Published in
Berkeley

Classifications

Library of Congress
PN1995.9.E9 F17 2004

The Physical Object

Pagination
xviii, 267 p. :
Number of pages
267

ID Numbers

Open Library
OL23240121M
Internet Archive
closelywatchedfi00fabe_335
ISBN 10
0520238621, 0520238915
LCCN
2004000202
Library Thing
523074
Goodreads
3415278
1207584

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History

Download catalog record: RDF / JSON
August 19, 2020 Edited by ImportBot import existing book
December 4, 2010 Edited by Open Library Bot Added subjects from MARC records.
April 28, 2010 Edited by Open Library Bot Linked existing covers to the work.
December 10, 2009 Created by WorkBot add works page