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"In his opening essay, John Walsh traces Viola's development as a video artist and the intellectual and spiritual concerns that have preoccupied him over the years. And in "The Artist in His Studio," Walsh offers a rare first-person account of the making of Emergence, a new work commissioned by the Getty for the exhibition. A transcription of a recent conversation between Bill Viola and Hans Belting reveals the roots of Viola's involvement with image making and the role that older works of art have played in his development. Peter Sellars explores the spiritual foundations and meaning of Viola's work in a remarkable essay that is as much meditation as study, while Viola himself selects some fifteen works of art, which, along with pages from his personal notebooks, represent the sources that have inspired the Passions series. Finally, Kira Perov has selected and organized frame sequences from each of the twenty Passions pieces, accompanied by the artist's descriptions. Altogether, Bill Viola: The Passions is a thorough and richly illustrated study of a new and compelling group of works by this seminal contemporary artist."--Dust jacket.
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Previews available in: Italian English
Subjects
Exhibitions, Interviews, Video art, Artists, Emotions in art, Installations (Art), Contributions in video art, Photography, Biography/Autobiography, General, Viola, Bill, United States, Viola, Bill,, 1951-, Art, exhibitions, Artists, united states, Viola, bill, 1951-, Ausstellung, Videokunst, Viola, bill , 1951-, Emotions in art--exhibitions, Video art--united states--exhibitions, Artists--united states--interviews, N6537.v56 a4 2003, 700/.92People
Bill Viola (1951-)Places
United StatesShowing 3 featured editions. View all 29 editions?
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Bill Viola: the passions
2003, J. Paul Getty Museum in association with the National Gallery, London, Oxford University Press
in English
089236713X 9780892367139
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Book Details
Edition Notes
"This publication is issued in conjunction with the exhibition Bill Viola: the passions, held at the J. Paul Getty Museum, January 24 through April 27, 2003, The National Gallery, London October 22, 2003 through January 4, 2004, and the Pinakotheks of the Bayerische Staatsgemäldesammlungen, Munich, Spring 2004"--Colophon
Includes bibliographical references (p. 293-295) and index
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Work Description
Im Rahmen des Reformationsjubiläums 2017 zeigen die Deichtorhallen Hamburg eine gross angelegte Ausstellung des amerikanischen Medienkünstlers Bill Viola (*1951 in New York) mit 13 seit 1992 entstandenen Videoinstallationen. Sein Werk beschäftigt sich mit den zentralen Themen des menschlichen Lebens Geburt, Emotion, Spiritualität, Liebe und Tod. Das übergreifende Interesse des Künstlers gilt dabei insbesondere den mystischen Traditionen von Christentum, Zenbuddhismus und Islam. Eine solche spirituelle Offenheit, die stets auch die Körper der Betrachterinnen und Betrachter als ein Medium für Grenzerfahrungen adressiert, spiegelt sich in allen Videoinstallationen Bill Violas wider, die durch ihre einprägsame Aura bestechen. Zuweilen ist ihre Bildästhetik in Ultra-Slow-Motion stark an die Ikonographe des Mittelalters oder der Renaissance angelehnt urgewaltig und zugleich formal höchst anspruchsvoll vermitteln diese einzigartigen Bilder die Erfahrung des Erhabenen und Spirituellen mit den Mitteln der Bildsprache des globalisierten 21. Jahrhunderts. Exhibition: Deichtorhallen, Halle für aktuelle Kunst, Hamburg, Germany (02.06.-10.09.2017).
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August 28, 2024 | Edited by MARC Bot | import existing book |
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September 27, 2008 | Created by ImportBot | Imported from Miami University of Ohio MARC record |