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This monograph gives a comprehensive overview of the variety and scope of the research carried out by Kader Attia (*1970 in Dugny, Seine-Saint-Denis, lives and works in Berlin and Algiers) over the past 15 years, using media as varied as installation, video, photography, and collage. It highlights the unique and powerful ways in which Attia addresses the global entanglement of culture, politics, and identity. Attia's artistic research is informed by his own experience of moving back and forth as a child between France and Algeria, between the Christian Occident and the Islamic Maghreb, and later by his years spent in Venezuela and the Congo. His work tackles, in a very explicit yet poetic way, the entangled relationship between Western thought and non-Western cultures, particularly through architecture, the human body, history, culture, and religion.
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Subjects
Modern Art, Algerian Art, Installations (Art), Exhibitions, French Art, Art, french, Art, modern, 20th century, exhibitionsPeople
Kader Attia (1970-)Times
21st centuryShowing 1 featured edition. View all 1 editions?
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Edition Notes
Published on the occasion of the exhibition "Kader Attia. Les Blessures sont la Injuries are here" at Musée cantonal des Beaux-Arts, May 22-August 30, 2015.
Includes bibliographical references.
Text in English and French.
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- Created July 19, 2019
- 3 revisions
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December 19, 2022 | Edited by MARC Bot | import existing book |
October 3, 2021 | Edited by ImportBot | import existing book |
July 19, 2019 | Created by MARC Bot | Imported from marc_openlibraries_sanfranciscopubliclibrary MARC record |