Composing for the films.
by Hanns Eisler
- 0 Ratings
- 3 Want to read
- 0 Currently reading
- 0 Have read
This classic account of the nature of film music aesthetics was first published in 1947. Its value comes from a unique combination of talents and experience enjoyed by the book's authors. Eisler's time at Hollywood gave him a particular insight on the technical questions which arise for composers when music is used in the production of films; while Adorno was able to contribute on wide aesthetic and sociological matters as well as specifically musical questions.
Above all, the authors envisaged the book as a contribution to the study of modern, industrialised culture; and, in this respect, it has a particular importance to the whole area of Cultural Studies.
Check nearby libraries
Buy this book
Previews available in: English
Showing 8 featured editions. View all 8 editions?
| Edition | Availability |
|---|---|
1
|
zzzz
Libraries near you:
WorldCat
|
2
|
zzzz
Libraries near you:
WorldCat
|
|
3
|
zzzz
Libraries near you:
WorldCat
|
|
4
|
aaaa
Libraries near you:
WorldCat
|
|
5
Composing for the films.
1951, Dennis Dobson, Dennis Dobson 1951
in English
0234771488 9780234771488
|
zzzz
Libraries near you:
WorldCat
|
|
6
|
zzzz
Libraries near you:
WorldCat
|
|
7
|
zzzz
Libraries near you:
WorldCat
|
8
|
eeee
|
Book Details
Edition Notes
Includes bibliographical references.
By Hanns Eisler and T. W. Adorno. Cf. postscript.
Classifications
The Physical Object
ID Numbers
Community Reviews (0)
Feedback?
History
- Created April 1, 2008
- 7 revisions
Wikipedia citation
×CloseCopy and paste this code into your Wikipedia page. Need help?
| June 21, 2023 | Edited by ImportBot | import existing book |
| December 22, 2022 | Edited by MARC Bot | import existing book |
| October 5, 2020 | Edited by MARC Bot | import existing book |
| April 28, 2011 | Edited by OCLC Bot | Added OCLC numbers. |
| April 1, 2008 | Created by an anonymous user | Imported from Scriblio MARC record |