An edition of Music, postcolonialism, and gender (2005)

Music, postcolonialism, and gender

the construction of Irish national identity, 1724-1874

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Last edited by ImportBot
August 14, 2020 | History
An edition of Music, postcolonialism, and gender (2005)

Music, postcolonialism, and gender

the construction of Irish national identity, 1724-1874

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Publish Date
Language
English
Pages
344

Buy this book

Previews available in: English

Book Details


Table of Contents

Nation and notation : Irish music and print culture in the eighteenth century
Harping on the past : Joseph Cooper Walker's historical memoirs of the Irish bards and the "horizontal brotherhood" of the Irish nation
"The united powers of female poesy and music" : Charlotte Brooke's reliques of Irish poetry
Sequels of colonialism : Edward Bunting, the ancient Irish music, and the cultural politics of performance
Patriotism and "woman's sentiment" in Sydney Owenson's hibernian melodies and the wild Irish girl
A "truly national" project : Thomas Moore's Irish melodies and the gendering of the British cultural marketplace
In Moore's wake : Irish music in Ireland after the Irish melodies
Irish music, British culture, and the transatlantic experience.

Edition Notes

Includes bibliographical references and index.

Published in
Notre Dame, Ind

Classifications

Dewey Decimal Class
306.4/8420941509033
Library of Congress
ML287 .D38 2005, ML287.D38 2005, ML287 .D38 2006

The Physical Object

Pagination
p. cm.
Number of pages
344

ID Numbers

Open Library
OL3413337M
Internet Archive
musicpostcolonia0000davi
ISBN 10
0268025770, 0268025789
LCCN
2005029467
OCLC/WorldCat
62090774
Library Thing
2169883
Goodreads
4762878
643608

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History

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August 14, 2020 Edited by ImportBot import existing book
April 28, 2010 Edited by Open Library Bot Linked existing covers to the work.
February 1, 2010 Edited by WorkBot add more information to works
December 9, 2009 Created by WorkBot add works page