An edition of Music, postcolonialism, and gender
(2005)
Music, postcolonialism, and gender
the construction of Irish national identity, 1724-1874
by Leith Davis
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Previews available in: English
Subjects
Music, History and criticism, Popular culture, Gender identity, History, Music, irish, PostcolonialismPlaces
IrelandTimes
19th century, 18th century| Edition | Availability |
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Music, postcolonialism, and gender: the construction of Irish national identity, 1724-1874
2005, University of Notre Dame Press
in English
0268025770 9780268025779
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Book Details
Table of Contents
Nation and notation : Irish music and print culture in the eighteenth century
Harping on the past : Joseph Cooper Walker's historical memoirs of the Irish bards and the "horizontal brotherhood" of the Irish nation
"The united powers of female poesy and music" : Charlotte Brooke's reliques of Irish poetry
Sequels of colonialism : Edward Bunting, the ancient Irish music, and the cultural politics of performance
Patriotism and "woman's sentiment" in Sydney Owenson's hibernian melodies and the wild Irish girl
A "truly national" project : Thomas Moore's Irish melodies and the gendering of the British cultural marketplace
In Moore's wake : Irish music in Ireland after the Irish melodies
Irish music, British culture, and the transatlantic experience.
Edition Notes
Includes bibliographical references and index.
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| August 14, 2020 | Edited by ImportBot | import existing book |
| April 28, 2010 | Edited by Open Library Bot | Linked existing covers to the work. |
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