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More extreme than punk, industrial music revolted against the very ideas of order and reason. This book traces industrial music's attitudes and practices from their earliest articulations-a hundred years ago-through the genre's mid-1970s formation and beyond.
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Previews available in: English
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Assimilate: a critical history of industrial music
2013, Oxford University Press
in English
0199832587 9780199832583
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Book Details
Table of Contents
Introduction. The front lines
Technology and the preconditions of industrial music. Italian Futurism ; William S. Burroughs ; Industrial music and art music
Industrial geography. Northern England ; Berlin ; San Francisco ; Mail art, tape technology, and the network
Industrial musical style. The tyranny of the beat : dance music and identity crisis ; "After cease to exist" : England 1981-1985 ; Body to body : Belgian EBM 1981-1985 ; Industrial music as a theater of cruelty ; "She's a sleeping beast" : Skinny Puppy and the feminine gothic
Industrial politics. Back and forth : industrial music and fascism ; White souls in black suits : industrial music and race
People and industrial music. Wild planet : WaxTrax! Records and global dance scenes ; Q: Why do we act like machines? A: We do not ; Death ; Wonder
Suture : from the author's diary
Postscript. Is there any escape for noise?
Edition Notes
Includes bibliographical references (pages 321-331) and index.
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