An edition of German cinema
(1995)
German cinema
texts in context
by Marc Silberman
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Previews available in: English
| Edition | Availability |
|---|---|
1
German cinema: texts in context
1995, Wayne State University Press
in English
0814325602 9780814325605
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2
German cinema: texts in context
1995, Wayne State University Press
in English
0814325602 9780814325605
|
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Book Details
Table of Contents
Specular presence and historical revolution : Ernst Lubtsch's Passion
The modernist camera and cinema illusion : Friedrich Wilhelm Murnau's The last laugh
The rhetoric of the image : Slatan Dudov and Bertolt Brecht's Kuhle Wampe or Who owns the world?
Probing the limits : Detlef Sierck's To new shores
The fascist discourse : Eduard von Borsody's Request concert
The illusion of escapism : Helmut Kautner's Romance in a minor key
The discourse of powerlessness : Wolfgang Staudte's Rotation
The return of the familiar : Hans Deppe's Black forest girl
Privatizing the past : Georg Wilhelm Pabst's The last ten days
The authenticity of autobiography : Konrad Wolf's I was nineteen
Discipline and gender : Hermann Zschoche's On probation
Beyond spectacle : Alexander Kluge's Artists under the big top: Perplexed
The subject of identity : Margarethe von Trotta's Marianne and Juliane
The archaeology of the present : Wim Wenders's Paris, Texas.
Edition Notes
Includes bibliographical references (p. 299-311) and index.
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